"It’s September: I’ve moved into town,
into the attic of an old barn—a big open room I reach
by climbing a ladder that rises through a hole in the floor.
The room is long and high, with windows at each end,
a row of skylights that leak rain, and shake
and chatter in the northeast winds. I sleep beneath
the roof’s steep pitch, my mattress flat on the boards,
looking up at the high ceiling, where morning
diffuses downward in grains of bright dust.
This was the old painter’s studio.
The light in those famous canvases is still here
—he couldn’t carry it away with him—
though his paintings took away everything else,
opening space with a stroke of blue or yellow.
I think of his violent loves, the stories
they still tell about him here.
But how quiet and alive his paintings were,
how they quiver with the life not yet realized."